Cosmopolitan (US)

Cosmopolitan Magazine is the largest-selling young women s magazine in the world, and is famous for its upbeat style, focus on the young career woman and candid discussion of contemporary male/female relationships. Reporting on modern social trends since its founding in 1886 as a magazine for first-class families,

Golf Digest (US)

Only Golf Digest brings you exclusive instruction and interviews from world-class players like Price, Els,Watson, Alcott and Woods. Plus, you ll find the latest golfing equipment, tips for improving your technique, and news from the golf world.

Chronicles magazine

The magazine is known for promoting anti-globalism, anti-intervention, and anti-immigration stances within conservative politics, and is considered one of the leading paleoconservative publications.

AutaBuy

Salgsannonser på klassiske biler fra USA. Mye gromt å se på for dem som bare vil mimre eller har seriøse planer om egenimport. Aktuelt også for importører og medlemmer av klassiske bilklubber.

Strategy & Tactics

Strategy & Tactics magazine covers all of military history and its future possibilities

Revue Du Vin De France

La Revue du Vin de France is a monthly French wine publication which dates back to 1927. It specializes in French wine, and is highly regarded by the nation¿s wine industry. The magazine provides editorial, wine ratings and commentary.

Absolute Sound

The Absolute Sound is about music and the reproduction of music in the home. Our assumption is that the sound of music, unamplified, occurring in a real space is a philosophic absolute against which we may judge the performance of devices designed to reproduce music. In other words, there is a real thing out there, an absolute sound, that we are able to use as an ultimate and irrefutable reference. That sound may occur in a large room or concert hall (small or large). That music can be bluegrass, folk, jazz, big band, or classical. (Nor need instrumental music be our only reference: the human voice will serve as well.) Such is the real thing and in our descriptions of how a component s sound either honors or departs from music s truth, we are, given a common language, basing our findings upon observation, not upon a sliding scale of relative subjective reactions without antecedent in reality. Of course, our reactions to what we do observe are subjective and will ever be until that remote day when it is no longer possible to distinguish the illusion from the reality.

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Airforces YB

A Bookazine series focused on Aviation.